Vampire Devil Skull Bat

Drew this up a couple months back as the official T-shirt design for The Independents Fall 2009 tour. Much more Independents stuff coming up later. Stay tuned for MORE ACTION!

The Garage Gods

I drew this one last year for the debut 45 of this jangly '60s garage outfit from Portland, Oregon. My buddy Periklis ished this hot wax on his cool Lost in Tyme label over in Greece and word is that he's workin' on a full length LP by The Garage Gods even as we speak. I'm lookin' forward to hearing it. These guys have found their own sound within the parameters of the mid-'60s garage style; good songs and distinctive vocals in a sorta Arthur Lee-ish style make 'em stand out from the crowd. The cover art was inspired by the zillion Flintstones reruns I sat through in my impressionable youth. More stuff comin' soon. Stay tuned for MORE ACTION!

Rockabilly Rerun

Okay, I know I posted the artwork for the new Rowdymen CD back in the early daze of this blog, but inasmuch as I did some last minute revisions on the image before handing in the final version, and then used that new and improved version to put together this snazzy poster for the CD release party, maybe you all will be so kind as to excuse any redundancy. Looks like this will be a fun show, with local all-girl teen powerpoppers The Paps opening the festivities. Stay tuned for MORE HI-OCTANE ACTION!

Wrong Headed

Here's the Calgarian companion piece to yesterday's Electrified Edmonton poster. Stay tuned for MORE ACTION!

Frankenstein's Edsel

This image was originally drawn for French garagesters The Sidewalk Stroll back in 1995 and was used on the cover of their debut LP Monobooster. There were a couple of little things I didn't like about the drawing in it's original form so when Sal from Electric Frankenstein asked me to do a couple of quick posters for EF shows in Alberta I decided it would be a good opportunity to make a definitive revised version of this piece. This is one of a handful of drawings I made in the mid-'90s using DuoShade paper, specially treated art paper with 2 hidden patterns of shading that can be made visible by painting on a chemical solution. This technique was widely used by comic book artists in the '50s and '60s, especially in the Warren horror comics and all those hot rod comic mags like CarToons, so it seemed to add a fitting retro touch to an image like this. I'll post up the companion poster for EF's Calgary show tomorrow. Stay tuned for MORE ACTION!

Great Punk Rock Fiascos Of The '90s Pt. 2

So I sent all the artwork for the Horace Pinker/NRA split 7" over to France. A couple of days later I get a phone call from FedEx asking me what they should do with my package. It seems that when they took it to Philippe's address there was no building, just a big hole in the ground. I had mailed stuff to that address before so this news was rather baffling. Later that week I got the whole story behind this Twilight-Zoneish turn of events. A leaking gas line had exploded and demolished the whole building the same day that I sent the package out. Philippe survived the conflagration but it seemed to spell the end of Erase-Your-Head Records and the 7" never came out. Even more annoyingly, all the artwork disappeared under mysterious circumstances, which is why you won't be seeing the 2 paintings I made for this project here in the Rubber Room. Luckily I had the foresight to make photocopies of the black and white drawings before sending them out, so herewith they are presented to the omnivorous eye of the panting public for the first time ever. Stay tuned for MORE ACTION!

Great Punk Rock Fiascos Of The '90s

Back in the mid-'90s I did a few drawings for a French 'zine and record label entrepreneur named Philippe. He started out in the Garage Punk scene and switched over to hardcore and industrial noise after awhile. In that phase he had a label called Erase-Your-Head Records which had kind of a neat concept. Their output was exclusively split 7"ers, each with a well known American or Japanese aggro-noise combo on one side and a less-known Euro band playing in a similar style on the flip. Each one came in a gatefold sleeve with full color artwork inside and out and an insert with 4 additional pages of black and white art by the same artist. All the artists for the noisy industrial style releases were contributors to Le Dernier Cri, a French avant garde comix magazine with a heavy Raw influence. I was asked to provide the art for a punk rock spinoff from the main series featuring pop punkers Horace Pinker from the USA and NRA from Holland, so I dutifully whipped up a couple of acrylic paintings and 4 B&W illustrations, two of which you see above this very stack of type. As this was an "art for art's sake" type of enterprise I let myself go a bit as far as the style and subject matter were concerned. I was pushing the deadline by the time I got everything done so I sent it over to France via FedEx. A couple days after sending it out I received the strangest telephone call I've gotten yet in my career in the arts... More on that in tomorrow's post. Stay tuned for MORE ACTION!

Submerged

If you are wondering. most of the imagery on this blog comes from my subconscious mind in as unmitigated a form as possible. The point of art, I think, is to rummage around in one's own head until something of potential interest emerges, and then turn it loose in the world and wait to see what may result. From that perspective, my explanation of what this drawing is about would be no more worthy than yours, so I shall offer none. This piece was first used as a flyer for a show by local space rawkers The Breath Grenades. Later my friend Willem from Swamp-Room Records in Germany became enamored of this drawing and used it several times, including a colorized version that graced the cover of a split 7" by Mandra Gora Lightshow Society and Cherry Overdrive back in 2005. Here you may peruse it in it's original monochromatic incarnation. Stay tuned for MORE ACTION!

The Crusaders

From sunny Sydney, Australia, The Crusaders blared forth a fuzzy, Sonics-infused brand of frat party garage ravin' throughout the '90s and on into our present decade. I'm not sure if they are still playing or not, but a couple years ago I had the chance to do the sleeve design for this CD comp of some of their older material which came out on the hip Rastrillo Records label outta Buenos Aires. I made the front art as if it was an old animation cel, with a colored line drawing overlaid on an acrylic painting. On the back I was aiming for a '60s children's book kinda look with a bit of Hanna-Barbara styling thrown in for flavor. Crusaders' drummer Sir Mickster is currently running the cool Off The Hip label, serving us the loudest and wildest garage and powerpop action from Mad Max-land with a side order of foamy Foster's Lager. Stay tuned for MORE ACTION!

The Surf Creature

Made this one way back in 1994 for those reverb-happy extraterrestrials over at Romulan Records. I really dig these trashy comps of obscure old 45s and was stoked to get to do this sleeve for an LP crammed full of great early '60s surfin' instrumentals. Drawing a Horror Of Party Beach inspired surf monster was a natural here but due to mental impairment caused by many childhood hours of teevee rerun ogling in the early '70s I decided to throw in a Gilligan's Island tribute as well. I wish I had done a better job on some of the caricatures (particularly that of the great Jim Backus, who I regard as one of the greatest geniuses ever to walk among us mere and meager mortals) but overall I think this one holds up okay. More weird stuff comin' soon. Stay tuned for MORE SURFIN' SWINGIN' AND SURFIN' ACTION!

Bad, Bad Brain

The Bad Brains (prevented by some bizarre legal entanglement from using their own band name, hence "Soul Brains") played their (I believe) one-and-only Winnipeg show back in 2001. They played a short set, quit just as things were starting to pick up steam and didn't play an encore. It was a pretty off-kilter evening. The poster is a tribute to John Agar's classic of cinema, The Brain From Planet Arous. Stay tuned for MORE ACTION!

Make Room For Zombie!

Make Room! was another Estrusized late '90s garage punk 'zine, this one published by a guy named Forrest outta the great state of Texas. The idea for this ever-so-charming drawing came from a list of suggestions by the editor; I chose it as being most amenable to my then-thriving EC horror comic fetish fanaticism. My idea for a Make Room! cover had been a portrait of drunken rich people recklessly piloting a block-wide luxury vehicle through the slums, scattering ragged poor folks heedlessly before them. I suspect that such a concept was simply not gory enough to make the grade. This drawing features a special cameo appearance by my hard-rockin' ex-girlfriend Michelle in the role of "Third Startled Mourner From Left", so I shall dedicate this post to her with fond regards. Hey, kids! Stay tuned for MORE ACTION!

Lights Out!

This'un was meant to be the sleeve for a split 7" by a combo called Subgoblins. They were some kind of spinoff from the eccentric garage rockin' Goblins from Chicago, not to be confused with Goblin from Italy, Thee Goblins from Canada or any other musical aggregation of Goblins that may be lurking in the cellars and pumpkin patches of our world. Subgoblins were supposed to cover the classic Lights Out by The Angry Samoans on their side of the 7"; I don't remember who or what was meant to inhabit the flipside. Anyhow the single never came out for whatever reason. I remember sending out lots of photocopies of this to all my pen pals at the time so it may have shown up in some fanzine somewhere but at this late date I really can't say for sure what or where. As the old saying goes, it only starts to get funny when somebody loses an eye. Ask Sammy Davis, Jr. if you don't believe me. Stay tuned for MORE DO THE EYE GOUGE, YOU TURKEYNECK ACTION!

Slam-O-Rama

Earlier this year local college radio station CKUW asked me to design a poster for one of the gigs they were putting on for their annual FunDrive fundraiser. I had sketched out this goofy gag drawing a couple years back and thought it would work as a poster for the show which was headlined by Winnipeg HC legends The Unwanted. I crammed this thing with as many details as I could scrounge up in my mangled memory from going to punk shows in the early-mid '80s. Someone told me this was also used on some kinda CKUW program guide but I never saw a copy of that. Stay tuned for MORE ANARCHISTIC ACTION!

Boyz Nex' Door

Boyz Nex' Door were from Italy and played a cool mix of Killed By Death-style punk and trashy late'50s/early '60s r'n'r a la The A-Bones. They had a whole mess of limited edition 7"ers on various labels and this here CD on 1+2 Records outta Japan. I guess they broke up not long after this thing came out. There was some talk of a vinyl version coming out on a Spanish label but as far as I know nothing ever came of that. I think this was the last time I used the old style hand separated color technique. After this I was forced against my will to go high tech. Stay tuned for MORE ACTION!

The Yum Yums

Norway's Yum Yums have been rulin' the Euro powerpop scene for 15 years now. This poster was made for an early German tour which if I am remembering rightly took place shortly before the release of their album debut Sweeter Than Candy. I was doing a lotta powerpop art around this time (a couple of CD designs I did for Bomp! Records seemed to put me in solidly with the European pop crowd) and as with most of the stuff I did in that vein this one has two big influences: the '60s Pop Art scene and the sort of graphics you'd see on candy and bubblegum packaging. The Yum Yums are still goin' strong so you should check out some of their many cool releases. More stuff coming soon. Stay tuned for MORE ACTION!

Teenage Cavemen

I've done several pieces in the past couple of years for Mary and Jeremy, two Parisian rockers who put on garage and psychobilly shows under the nom du rock of Deadly Sin. If memory serves this was the first thing I did for them, one of a series of 5 posters for garage rock gigs by various hip combos at La Mechanique Ondulatoire club. I had just about run out of ideas for caveman gags by the time the series came to an end. I'll post more of these later for the delectation of all you cave diggers and primitive rockers out there. Stay tuned for MORE ACTION!

The Von Zippers

The Von Zippers and their lo-fi brand of garage punk came rippin' outta Calgary back in 1995 or thereabouts. They had that trashy mix of '66 and '77 punk that typified the garage punk style in those days and a great stoopid gimmick with their spiked Imperial German helmets and Lederhosen. Col. Klink would have loved them. I was lucky enough to get to do the sleeve for their debut 7" on band leader Helmut Von Zipper's very own Roto-Flex Records label. Herr Von Zipper came up with the idea of using Tom Daniel's kool '60s kustom The Red Baron in the drawing; I added in the tribute to one of my personal heroes and role models in this life, the great Eric Von Zipper himself. Around the same time I made the followup drawing posted here, which saw use on T-shirts and stickers back in those days. The VZs signed up with Estrus Records and have put out 3 full length albums to date, adding some early-'80s style politi-punk lyrics to their trademark trashed-out punk sound on the most recent one, The Crime Is Now! I've heard from a reliable source that their trashy punk sound has more recently given way to some sort of '70s infused Grand Funk Railroad influence (!!!) so I am looking forward to some new recordings to find out what the heck that's all about. It's a long way back to Germany, so... Stay tuned for MORE VAS IST LOS?!! ACTION!

I Need Lunch!

Feed me! This was published in issue #6 of Winnipeg's Abnormal Behavior 'zine, though I assure you this kind of thing is quite normal here. Stay tuned for MORE ACTION!

The Earaches

The Earaches were a tuff garage punk combo outta Seattle. My buddy Alan Wright was their original drummer and he's the one who asked me to do this drawing of the band, which was printed in the booklet of their 2003 CD debut Fist Fights, Hot Love on Steel Cage Records. That's Alan lurking at far left in the drawing. Alan was a tireless fan and contributor to the rock'n'roll scene as a musician, writer and 'zine publisher. He was one of the first people to take an interest in my work and helped me a lot in getting established as a rock'n'roll artist. I sure owe him a lot. Alan killed himself in 2004. Five years have gone by now and I still find it hard to believe that I'll never get another phone call from him, or another letter full of rock'n'roll news and tapes or CDRs of all the latest music that he was excited about. I never saw the dark side of Alan and I don't know much about the personal demons that overtook him, but for some of us rock'n'roll is more than just music, it's a vision of a better world than this that we hold on to and hope will see us through. Looking back I think that feeling for the music we both loved may have been the common bond that made us friends. I miss this guy. More stuff coming soon. Stay tuned for MORE EULOGISIN' ACTION!